Stuart Hall speaking at rally

Addressing the Crisis: The Stuart Hall Project

This working group will engage in discussions about race and ethnicity as it intersects with gender, sexualities, ability, and class in national and transnational contexts. Our goal is to cultivate an alliance among scholars who yearn to engage in a conversation beyond a particular discipline and racial-­ethnic group, and to think through points of continuity between historically marginalized groups and aggrieved communities. We see this group as a space to focus on contemporary social movements of Indigenous Nations Peoples and Latino/as, African and Asian diasporas, borderlands, cultural production in the U.S., Europe, Asia, Mexico, Africa, and Latin America, and critical whiteness studies, with a particular focus on Hall, his predecessors, and those influenced by Hall’s contribution to sociology, film studies, popular culture, and cultural studies.

To learn more about this group, please contact its director, Deborah Whaley ( 


Global Media Studies

The Global Media Studies Working Group brings together scholars from the social sciences and humanities to explore enduring and emerging issues in global media research. This working group is the starting point for a collaborate research group dedicated to issues in global media studies research. The end goal of the working group is to establish a sustainable “global media” research group that will conduct large-scale collaborate projects, including comparative research (exploring research questions in various countries or regions) and research that relies on mixed methodologies and new data collection techniques.

To learn more about this working group, please contact its director, Melissa Tully (


Museum Futures

The Museum Futures working group aims to take up conversations about museums’ colonialist origins and legacies, the exhibition and/or repatriation of objects taken from colonized people, and museums’ and communities’ efforts to increase public access to and engagement with collections. The larger aim of the working group is to garner interest in examining the ways museums have functioned in the past and to examine the ways they are and will continue to transform. The group will explore historical topics as well as those germane to current museum practice through shared readings, vibrant conversation, and presentations of works in progress. 

To learn more about this working group, please contact its co-directors, Jen Buckley (, Joyce Tsai (, and Anny Curtius (


Female and mother symbol

Reproductive & Maternal Politics

This working group brings together faculty, graduate students, and community activists with diverse interdisciplinary backgrounds to explore urgent matters that center on motherhood and the struggle for reproductive justice. Drawing on anthropology, history, sociology, communication, and critical cultural studies, our goal is to craft a rigorous space of inquiry that can begin to untangle the stakes and challenges (perhaps even potential paths forward) for a complex set of issues that bears meaningfully and immediately on the lives of women and girls in particular and increasingly in the lives of trans and gender non-conforming people. Shared readings will inform an ongoing and nuanced conversation about reproductive politics in local, regional, national, and transnational contexts. Topics include racism and reproductive injustice, teen motherhood and stigma, public policy and legislative initiatives, histories/meanings of motherhood, movements for reproductive health, queer family formation, and how these intersect with immigration, environmental devastation, the rise of white nationalism and white supremacy, and the carceral state.

To learn more about this group, contact Natalie Fixmer-Oraiz,

The Cassandra Project: Critical Approaches to the Study of Scripting & Reading Apparatuses

The goal of this working group is to initiate a broadly interdisciplinary, campus-wide conversation about the histories, multifarious forms, complex dynamics, and social impacts of writing systems in the broadest sense. The group's inquiry focuses on cultural technologies of notation—from the various ways of writing different languages (logographic, alphabetic, etc.), music and math notation, semasiography, khipus, pictographs, all the way to computer programming and AI. Members will be comparing diverse types of notations and ask how they differ functionally from each other.

To learn more about this working group, please contact its director, Sabine Gölz, at


Cabeza de Vaca portrait

Imagination & Desire in a Bayou Landscape: The Story of Cabeza de Vaca

Cabeza de Vaca was part of a Conquistador expedition to Florida in 1527 that went awry, and a long travail followed, leaving four survivors who eventually made it to Mexico City eight years later. Cabeza de Vaca comes to understand that maybe the Spanish should be partnering with indigenous people instead of enslaving them, and becomes something of an amateur anthropologist along the way, leaving a journal account of the long journey. 

This working group is interested in trying to give voice to the Moorish slave who was on the expedition and to Cabeza de Vaca's wife, Maria Marmolejo, a Sephardic Jewish convert, who was reunited with him after falling destitute when he was presumed dead. The group would like to create a work of historical fiction, as these parts of the story have no voice or literary narrative in the accounts. The group is also interested in learning about the indigenous native Americans and imagining what kinds of interactions the survivors had with them.

Rapson's current musical research has been spent investigating the influences of Moors, Sephardic Jews, Romany Gypsies, the Spanish renaissance, flamenco and New World folk traditions. He intends to assemble a large ensemble of UI colleagues and professional musicians to record the work in a studio method similar to the production of earlier albums where improvisations were turned into compositions. The mix will include "classical" and "popular" musicians working alongside each other. The resulting recording will precede the first performance and be used to rehearse the members in smaller groups before it is premiered. The text and film will be added only after the major sections of the composition is ready. There is already a rough outline of fifteen movements and their basic premise that can initiate discussion.

To learn more about this group, contact John Rapson at


Opera singer on stage

Opera Studies

The Opera Studies Working Group offers a variety of lectures and activities that are free and open to all members of the University and beyond. Please explore the group's website,, to learn about the group's purpose and history, view archived events, and see what other resources are available with regard to opera.

To learn more about this group, contact its director, Robert Ketterer ( 


Scholarship of Public Engagement

Now in its seventh year, this working group will focus on reading about the existing research where the voices of community partners are at the center of publicly engaged scholarship. This working groups intends to co-author more collaborative pieces that bring in the voices of community partners, an aspect that is largely missing from the scholarly work on publicly engaged scholarship. 

As publicly engaged scholars, the members of this working group believe that at the center of engaged scholarship are campus-community partnerships reflecting careful partnerships and ethical principles of engagement. The group is aware that power, position, and resources may disrupt well-intended activities of public engagement. As such, the group remains sensitive to the power and position members occupy as representatives of the University. As its members are researchers/scholars, the group's scholarship often focuses on those who are less powerful and represent groups who are different with regard to race/ethnicity, language, literacy, and class, and face dramatic health disparities and experience gaps in education. Creating sensitive campus-community partnerships requires constant monitoring of ethics so that communities/local residents do not become laboratories for University research.

Second, from an academic perspective, the members are mindful that engaged scholarship requires time and energy investments and still may not be valued in the academy. Since Year 1, the group's discussions have focused on how members might move the academy so that colleagues and administrators understand the value in publicly engaged efforts of teaching and scholarship. The group will continue discussions focused on creating and maintaining sensitive partnerships with community members while also exploring new visions of engaged scholarship in rural southeastern Iowa. Finally, this working group intends to continue to explore how members can mentor colleagues and graduate students interested in similar work.

To learn more about this group, contact Carolyn Colvin,


Circulating Cultures

The Circulating Cultures Working Group, now in its eighth year, brings together faculty from a range of disciplines: Anthropology, Arabic, Art & Art History, English, Film Studies, French & Francophone Studies, German, History, Spanish and Portuguese, and Swahili. Group members share a common interest in the circulation of cultures in print, digital, oral, and audiovisual forms, especially as print crosses borders to create transnational disruptions and connections. Topics for individual projects along with collective readings have included the circulation of architectural forms, photography, and film; theories of material culture, literature and deep time, Creolization and hybridity, capitalism and modernity; and responses to environmental crises.

If you would like to learn more about this working group, please contact its co-directors, Elke Heckner ( and Julie Hochstrasser (  


Liberal Arts Beyond Bars College in Prison Program (UI LABB)

The UI Liberal Arts Beyond Bars college in prison program has been offering credit-bearing coursework to students incarcerated at the Iowa Medical and Classification Center (Oakdale Prison) for the past three academic terms. We have recently also incorporated online access to coursework toward an associates degree through Iowa Central Community College in Fort Dodge. This partnership allows the UI to serve in the capacity to which it is best suited: offering upper-level coursework toward a bachelor's degree.

During the 2019–20 academic year, the UI LABB Working Group will codify a three- to five-year strategic plan for the UI LABB program, outlining budget, program development, faculty recruitment and retention, and fundraising.

To learn more about this group, contact Heather Erwin at


old fashioned dancers

Performance Studies

This working group brings together scholars and artists working in, around, and between all of the fields with which performance studies engages. The group's objective is to provide a monthly forum in which members present, read, watch, listen to, and discuss new scholarly, creative, and cultural work that not only encompasses the entire expanse of performance studies, but also pushes beyond the field’s current frontiers. This group is particularly interested in thinking through the ways in which disciplinary differences manifest in performance studies work.

To learn more about this group, please contact its co-directors, Kim Marra ( and Jen Buckley ( 


Secularity & Sanctity in the Modern Era

This interdisciplinary working group explores both historical and thematic questions related to the constitution and definition of secularism and religion in modernity. Some of the key questions we examine include:

What have been the qualitative differences in the location of religion between the premodern and modern/contemporary period?

What has been the role of religion in shaping modernity and postcolonial national, cultural, and ethnic identity?

In what specific ways has religion been involved in shaping the mundane material aspects of life in areas such as architecture, food, music, and travel?

How have the secular and the sacred been constituted as separate realms?

How has secularism contributed to the identification of public and private life?

The short-term goal of the group is to prepare a conference to be held in the fall semester of 2020. In our monthly meetings, we will read key literature to lay the ground for a shared set of concepts, theories, and methodologies, present our research-in-progress, and identify speakers to be invited for the conference. Selected papers from this conference will be published in an edited book or a special issue for an academic journal.

Our long-term goal is to turn this working group into an expanded research network of scholars, students, community organizers, artists, and journalists. We envision that our scholarship and teaching endeavors will contribute to the ongoing dialogue on religion and public life in this increasingly conflict-ridden world.

To learn more about this group, contact Jenna Supp-Montgomerie at

Contemporary Literary & Film Theory

The Contemporary Literary and Film Theory Working Group explores the ways in which debates in contemporary literary theory and film theory do and do not overlap. While the disciplines of literary studies and film studies have developed in parallel since the 1970s, the theoretical debates in each discipline have a more varied trajectory. For example, the disciplines have considered the relation between print and audiovisual culture and processes globalization from quite different perspectives, even though the concept of transnationalism has been a key term in both disciplines for at least decade. Likewise, both disciplines have reevaluated the relation between ethics, politics, and the arts, but have come to different conclusions regarding central aspects of the relation (including matters of subalternity and counter-hegemony). Finally, matters of digital or new media have prompted both disciplines to reconsider previous theoretical work on narrative and discourse.

To learn more about this working group, please contact its director, Kathleen Newman (


Refugee sculpture made from barbed wire fencing

Mellon Sawyer Seminar

This working group is led by the co-directors of the 2019-2020 Andrew W. Mellon Sawyer Seminar, “Imagining Latinidades: Articulations of National Belonging,” which will bring national and international topic experts to campus in the 2019–2020 academic year. In order to prepare well for that and to keep the discussion going after the Seminar, this working group will facilitate focused discussion on the scope and terrain of Latina/o/x Studies.

To learn more about this working group, please contact its co-directors, Darrel Wanzer-Serrano, Rene Rocha, and Ariana Ruiz.


social media icons

Personalization Algorithms & Bias in Social Media

This group brings together scholars from the humanities, social sciences, and STEM sciences to explore the functioning and implications of large data generated by social networking applications. The goal is for humanists and social scientists to get a better idea of how algorithms in social media actually function, while introducing scientists to some of the emerging critiques of big data and algorithmic culture in the humanities and social sciences. 

To learn more about this working group, contact the directors: Tim Havens,, or M. Zubair Shafiq,

(Photo credit:


Translation in the Humanities

Across the humanities, translation has always been either an object or a mode of inquiry. Many U.S. scholars who work with non-English sources often incorporate passages they translate into their published work, and of course continuously do their own translations for their research and teaching. Scholars who do translation come from a wide range of disciplines, such as Classics, Philosophy, Religious Studies, History, English, Art History, various area studies, and of course, Literary Translation. However, most such scholars have little or no training in translation studies and often do their translations in a somewhat unreflective way. The purpose of this working group is to cultivate a learned and thoughtful community of scholars who do translation at the University of Iowa and that supports both the professional development of each faculty member as well as translation as an interdisciplinary field of practice and study. 

To learn more about this group, please contact its co-directors, Aron Aji ( and Morten Schlütter (