Three months ago, I stepped into the Obermann Center’s library for the first time. My task was simple, if sizeable: I needed to organize the ~600 volumes in the collection by the end of the summer. As a student in Iowa’s School of Library & Information Science, I was excited for my first solo library project. I’ve been interested in academic librarianship, scholarly communications, and research support for a long time. However, I knew I would have to approach the work strategically and manage my time well in order to succeed. Our goal was to transform the library into a showcase for the works of Obermann scholars. But we also own many books that are unrelated to Obermann, and all of our books were intermingled without regard for subject, date, or author. After about thirty minutes of pacing up and down the library on my first day, I decided I was going to take every book off the shelf.

During their Obermann Interdisciplinary Research Grant (IDRG) in summer 2024, screenwriter Dean Bakopoulos (Cinematic Arts) and drama scholar Jennifer Buckley (English & Theatre Arts) wrote the pilot for a new historical TV miniseries: Anton & Olga. The show, which Bakopoulos and Buckley plan to pitch to producers early next year, follows revolutionary playwright Anton Chekhov, actress Olga Knipper, and their colleagues at the newly-established Moscow Arts Theater (MAT) through personal, political, and artistic upheaval at the end of the nineteenth century. By exploring the creative clashes and collaborations that fueled Chekhov and the MAT, Bakopoulos and Buckley aim to reintroduce modern audiences to an important part of theatrical history. “So many of our ideas of what counts as ‘good acting’ come from them [the MAT],” explains Buckley, “especially from their co-founder, Konstantin Stanislavski, whose ‘system’ still gets taught today in acting programs. Our demands for nuance, subtlety, and emotional truth are all founded on their work.”