Jenna Hammerich

Communications Specialist
(she/her)
Biography

Jenna Hammerich assists with Obermann's web presence and communications. She holds an MFA in nonfiction writing, an MA in English literature, and a postgraduate diploma in architecture. Previously she served as Deputy Managing Editor of The Iowa Review and as a writer for the UI College of Liberal Arts and Sciences. Jenna also manages a pick-your-own blueberry farm near Iowa City with her husband, daughter, and llamas.

Authored by Jenna Hammerich

Promoting Breastfeeding in Women with MS

Thursday, September 28, 2023
It’s tough to be a new mother, whoever you are, whatever your income, wherever you live. But for women with chronic health conditions, it’s exceptionally difficult. Even breastfeeding can feel like an insurmountable task, full of uncertainties about the transmission of medications in breastmilk and the physical demands of holding an infant for long periods of time.   This past summer, an Obermann Interdisciplinary Research Grant team, aided by Spelman Rockefeller funding, began studying breastfeeding in women with multiple sclerosis (MS), a chronic disease of the brain and spinal cord. “There’s a huge gap of knowledge in regards to breastfeeding for women with MS,” say the grant project’s co-directors Christine Gill (Clinical Assistant Professor, Neurology), Pamela Mulder (Clinical Assistant Professor, Nursing), and Solange Saxby (Postdoctoral Research Scholar, Internal Medicine)—largely because pregnant and lactating women tend not to volunteer for research trials. It’s a serious oversight, since MS is three times more common in women than in men and is more frequently diagnosed in women of childbearing age (between 20 and 40) than in any other group. Symptoms vary among patients but commonly include fatigue, muscle weakness, tingling, numbness, vertigo, and walking difficulties due to nerve fiber damage.

Meet Willie Zheng, our Undergraduate Communications Assistant

Wednesday, October 19, 2022
This year, we're thrilled to be working with undergraduate communications assistant Willie Zheng. A pharmacy major, Willie is a freshman from Marion, Iowa. His work at Obermann ranges from calendaring to social media strategizing. We're so glad to have found him! What inspired you to choose pharmacy as both your major and career path? WZ: I think the foundational inspiration that led me to decide pharmacy as my major was COVID. I was really inspired by the way our medical researchers and our pharmacists became a critical step in getting the pandemic under control, getting our kids, including myself, back in school, and getting people back to work. In addition, throughout my life, I have always wanted to have a career within the healthcare industry, as well as working and serving local communities like my hometown. Pharmacy is a great example of a healthcare career that serves communities across the nation in providing life-saving medications for all.

Dancing During War: Kowal Explores WWII Photo Archives

Thursday, April 7, 2022
“When we think about performance during World War Two, we think about USO shows and famous American performers like Bob Hope and Bette Davis,” says Rebekah Kowal, Spring 2022 Obermann Fellow-in-Residence. On the face of it, these performers were sent to overseas U.S. military camps to uplift soldiers’ spirits by providing a sense of home and “Americanness.” But there were many other forms of movement and performance that served other (rather overt) purposes, from displaying Western cultural dominance and exerting control over subjected people’s bodies to reintegrating the detained, creating a pathway to U.S. citizenship, and serving as a normalcy touchstone for the dancers. Kowal (Dance, CLAS) is deep in research for a new book tentatively titled War Theatre: Dancing American Citizenship and Empire during World War II. After writing about the contribution of American modern dance to aesthetic and social change in the 1950s (How to Do Things with Dance: Performing Change in Postwar America [Wesleyan UP, 2010]) and about globalism and the performance of international dance in the U.S. after WWII (Dancing the World Smaller: Staging Globalism in Mid-Century America [Oxford, 2019]), she figured her next project would move away from the WWII era. But one sleepless night—“one of those bizarre moments during COVID,” she recalls—she pulled up the National Archives’ online catalog and started typing interesting keywords.