Upcoming Events & Deadlines

Application Deadline: Small Important Project Grants promotional image

Application Deadline: Small Important Project Grants

Thursday, April 1, 2027 5:00pm
111 Church Street

This new Obermann Center program offers modest yet swift support for those portions of research and creative endeavors by UI scholars that are important toward advancing a project but do not have enough funding from other sources. We will grant 10 awards of $500 or less per academic year. Note that funds need to be spent by June 30 of each year.

Eligibility: Open to all University of Iowa faculty and staff researchers who have not received a SIP award in the past academic year.

Application...

Application Deadline: Obermann Working Groups (2027–30) promotional image

Application Deadline: Obermann Working Groups (2027–30)

Wednesday, April 7, 2027 5:00pm
111 Church Street

Obermann Center Working Groups provide space, structure, and discretionary funding for groups led by faculty that may include advanced graduate students, staff members, and community members with a shared intellectual interest.

Groups have used this opportunity to share their work in progress or draw up a set of readings they want to undertake and discuss. Others have organized conferences, applied for grants together, written articles together, designed new courses, taken field trips, organized...

Application Deadline: Book Ends Book Completion Workshop promotional image

Application Deadline: Book Ends Book Completion Workshop

Thursday, May 31, 2029 (all day)
111 Church Street

Books Ends—Obermann Book Completion Workshop supports University of Iowa faculty from disciplines in which publishing a monograph is required for tenure and promotion. The award is designed to assist faculty members turn promising manuscripts into important, field-changing, published books.

Applications are accepted on a rolling basis.

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News

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Obermann Center symposium’s ‘Frequências’ film festival explores Afro-Brazilian cinema

The door of no return; the reinvention of belonging; Blackness in Brazil; these topics and more were the focus of this year’s Obermann Humanities Symposium. Presented in Iowa City by the Obermann Humanities Symposium & International Programs Major Project Award, the “Frequências” festival displayed lectures, cinema screenings, interventions, exhibits, and performances by contemporary Afro-Brazilian artists and scholars discussing Black diaspora.
Ariani Friedl

Building Bridges: The MOSTRA Brazilian Film Festival

Cris Lira: Tell us a little bit about yourself and how the idea for the Mostra: Brazilian Film Series has started.   Ariani Friedl: I am Brazilian, 'gaúcha' (RS), and I have been living in the United States for over 50 years.  I worked at the University of Illinois @ Chicago for over 20 years as Director of the John Nuveen Center for International Affairs.  I was a member of the Board of Directors of the International Latino Cultura Center for over 15 years and also organized the Chicago Latino Film Festival in 2006 when our Director was on a leave of absence.  I have the fortune of meeting many of our Brazilian filmmakers who attended the Latino Festival which always brings 3 - 4 Brazilian films.   The question always posed by our Brazilian filmmakers was:  "How can we better publicize and where else can we show our Brazilian cinema in the United States?" The idea of creating a festival with only Brazilian films in the Chicago area was born from this and it developed with another idea of bringing films with social conscience to be discussed in universities and other cultural and educational centers. C.L.: Could you please tell us how do you select the films to be featured in the series?  A.F.: I bring to our festival every year, different Brazilian film critics and filmmakers.  I also have collaborators in SP who attend many of our film festivals in Brazil and help me collect a list of films with relevant social content, and also films related to our culture (art, music, literature, dance...), history, environment, etc...  We compile these in a document with trailers and synopses and present them to my Curatorial Committee (composed of professors, critics, and experts in cinema) for a decision in which films we will invite to our festival.
Lauren Burrell Cox

Lauren Burrell Cox is Obermann's New Assistant Director!

We're happy to announce that Lauren Burrell Cox has become Obermann's new Assistant Director! She'll be working with our director, Teresa Mangum, to design, plan, promote and conduct programs and to oversee communications for the Center.
Frequencias codirectors

Frequências Symposium: A Discussion with Three Co-organizers

Taking Brazil’s new Black cinema as its point of departure, Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora will feature the emerging wave of young Afro-Brazilian filmmakers, curators, programmers, and scholars whose art and scholarship have already had an impact on international cinema. Organized by Christopher Harris, Janaína Oliveira, and Cristiane Lira, this 2022-23 Obermann Humanities Symposium and International Programs Major Projects Award takes place March 30 – April 1, 2023, in Iowa City. Below is a discussion with Harris, Oliveira, and Lira.
Hand holding up mirror, reflecting peninsula near bridge

Frequências symposium a historical gathering of Brazilian filmmakers and scholars on the UI campus

Taking Brazil’s new Black cinema as its point of departure, Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora brings together filmmakers, artists, scholars, and critics from across the globe to explore new ways of thinking about the Black diaspora. This 2022-23 Obermann Humanities Symposium and International Programs Major Projects Award takes place March 30 – April 1, 2023, in Iowa City. Organized by Christopher Harris, F. Wendell Miller associate professor of cinematic arts at the University of Iowa; Janaína Oliveira, curator and researcher at the Federal Instituto of Rio de Janeiro; and Cristiane Lira, supervisor of Portuguese at the University of Georgia, the symposium will feature the emerging wave of young Afro-Brazilian filmmakers, curators, programmers, and scholars whose art and scholarship have already had an impact on international cinema.
HPG logo

Working to Create Nets: A Humanities for the Public Good Update

Back when we all traveled regularly to conferences, we did so to share research, to learn from colleagues, and to form new relationships, even friendships, rooted in shared intellectual interests. Conferences help graduate students build skills—capturing complex arguments in short presentations, public speaking, asking helpful rather than grandstanding questions, connecting with fellow experts, and more. In other words, conferences are for networking.

Recent Events

What Can Museums Become: "Future Media of Museums" promotional image

What Can Museums Become: "Future Media of Museums"

Saturday, March 7, 2020 2:00pm to 3:30pm
Art Building West

The 2020 Obermann Humanities Symposium, "What Can Museums Become?", will bring together a distinguished group of museum directors, curators, educators and artists who will reflect on the transformative work that museums perform in the twenty-first century.

 

The closing keynote lecture on Saturday will be delivered by Michelle Kuo, who is the Marlene Hess Curator of Painting and Sculpture at the Museum of Modern Art. In "Future Media of Museums," she will explore the evolving impact of...

What Can Museums Become? —2020 Obermann Humanities Symposium promotional image

What Can Museums Become? —2020 Obermann Humanities Symposium

Saturday, March 7 to Monday, March 9, 2020 (all day)

Museums have never been mere containers for objects, nor should they be. How might we draw strength from existing institutions to enable vibrant futures? How can we expand the communities who feel a sense of belonging within and around museums? What must we confront and transform to make this possible? Join the artists, curators, historians, educators, and thinkers who are asking, "What Can Museums Become?"

Keynote speakers include Johanna Burton, Director of the Wexner Center for the Arts at...

What Can Museums Become, Relationality and Performance: A Critical Genealogy promotional image

What Can Museums Become, Relationality and Performance: A Critical Genealogy

Friday, March 6, 2020 7:00pm to 8:00pm
University of Iowa Main Library

The 2020 Obermann Humanities Symposium, "What Can Museums Become?", will bring together a distinguished group of museum directors, curators, educators and artists who will reflect on the transformative work that museums perform in the twenty-first century.

Friday’s Keynote lecture: “Relationality and Performance: A Critical Genealogy” will be delivered by Amelia Jones, a feminist curator who is also the Robert A. Day Professor and Vice Dean of Research at the Roski School of Art and Design at...

What Can Museums Become? —2020 Obermann Humanities Symposium promotional image

What Can Museums Become? —2020 Obermann Humanities Symposium

Friday, March 6 to Monday, March 9, 2020 (all day)

Museums have never been mere containers for objects, nor should they be. How might we draw strength from existing institutions to enable vibrant futures? How can we expand the communities who feel a sense of belonging within and around museums? What must we confront and transform to make this possible? Join the artists, curators, historians, educators, and thinkers who are asking, "What Can Museums Become?"

Keynote speakers include Johanna Burton, Director of the Wexner Center for the Arts at...

What Can Museums Become: "Museum: Space, Trace, or Place?" promotional image

What Can Museums Become: "Museum: Space, Trace, or Place?"

Thursday, March 5, 2020 4:10pm to 5:00pm
Old Capitol Museum

The 2020 Obermann Humanities Symposium, "What Can Museums Become?", will bring together a distinguished group of museum directors, curators, educators and artists who will reflect on the transformative work that museums perform in the twenty-first century.

The first keynote speaker will be Johanna Burton, whose expertise in performance studies has inflected her work as a curator, educator, scholar, and now as the Director of the Wexner Center for the Arts at The Ohio State University—one of the...

What Can Museums Become? —2020 Obermann Humanities Symposium promotional image

What Can Museums Become? —2020 Obermann Humanities Symposium

Thursday, March 5 to Monday, March 9, 2020 (all day)

Museums have never been mere containers for objects, nor should they be. How might we draw strength from existing institutions to enable vibrant futures? How can we expand the communities who feel a sense of belonging within and around museums? What must we confront and transform to make this possible? Join the artists, curators, historians, educators, and thinkers who are asking, "What Can Museums Become?"

Keynote speakers include Johanna Burton, Director of the Wexner Center for the Arts at...