Jenna Hammerich

Communications Coordinator
(she/her)
Biography

Jenna Hammerich assists with Obermann's web presence and communications. She holds an MFA in nonfiction writing, an MA in English literature, and a postgraduate diploma in architecture. Previously she served as Deputy Managing Editor of The Iowa Review and as a writer for the UI College of Liberal Arts and Sciences. Jenna also manages a blueberry farm near Iowa City with her husband, daughter, and llamas.

Authored by Jenna Hammerich

Meet Willie Zheng, our Undergraduate Communications Assistant

Wednesday, October 19, 2022
This year, we're thrilled to be working with undergraduate communications assistant Willie Zheng. A pharmacy major, Willie is a freshman from Marion, Iowa. His work at Obermann ranges from calendaring to social media strategizing. We're so glad to have found him! What inspired you to choose pharmacy as both your major and career path? WZ: I think the foundational inspiration that led me to decide pharmacy as my major was COVID. I was really inspired by the way our medical researchers and our pharmacists became a critical step in getting the pandemic under control, getting our kids, including myself, back in school, and getting people back to work. In addition, throughout my life, I have always wanted to have a career within the healthcare industry, as well as working and serving local communities like my hometown. Pharmacy is a great example of a healthcare career that serves communities across the nation in providing life-saving medications for all.

Dancing During War: Kowal Explores WWII Photo Archives

Thursday, April 7, 2022
“When we think about performance during World War Two, we think about USO shows and famous American performers like Bob Hope and Bette Davis,” says Rebekah Kowal, Spring 2022 Obermann Fellow-in-Residence. On the face of it, these performers were sent to overseas U.S. military camps to uplift soldiers’ spirits by providing a sense of home and “Americanness.” But there were many other forms of movement and performance that served other (rather overt) purposes, from displaying Western cultural dominance and exerting control over subjected people’s bodies to reintegrating the detained, creating a pathway to U.S. citizenship, and serving as a normalcy touchstone for the dancers. Kowal (Dance, CLAS) is deep in research for a new book tentatively titled War Theatre: Dancing American Citizenship and Empire during World War II. After writing about the contribution of American modern dance to aesthetic and social change in the 1950s (How to Do Things with Dance: Performing Change in Postwar America [Wesleyan UP, 2010]) and about globalism and the performance of international dance in the U.S. after WWII (Dancing the World Smaller: Staging Globalism in Mid-Century America [Oxford, 2019]), she figured her next project would move away from the WWII era. But one sleepless night—“one of those bizarre moments during COVID,” she recalls—she pulled up the National Archives’ online catalog and started typing interesting keywords.

Searching for Red with Margaret Beck

Tuesday, October 19, 2021
An anthropological archaeologist, Margaret Beck is continually searching—sometimes physically, for artifacts or geological samples, but always intellectually—to understand how people once lived, how they prepared and served food, taught and learned craftwork, used local resources, moved within their landscapes, and spread their traditions. Currently, she’s studying red-painted archeological ceramics and iron-rich geological samples to discover how Native peoples created and applied the color red in the central United States. The answers aren't always easy to find centuries later. "Throughout Native North America," says Beck, Associate Professor of Anthropology and a Fall 2021 Obermann Fellow-in-Residence, "red is a powerful, strong, and often sacred color.” Indigenous people in the Midwest and Great Plains used red paint for daily grooming, to ornament household objects, and to make the mundane sacred in religious ceremonies. When Beck moved to Iowa in 2007 and began looking at archeological ceramics from Iowa and Illinois, she noticed that their red pigments differed from those found in archeological sites elsewhere in North America. The red coatings (paints or slips) were often thinner and more powdery, with lighter or more yellow shades of red. Beck surmised that these differences were due to regionally distinct raw materials and pigment application techniques—but this was something she’d have to find out for herself. "In the Great Plains and the American Bottom, I found that this was an overlooked subject," she says. "Scholars know relatively little about sources of red pigment or ochre there"—in contrast to, say, chippable stone, the location of which has been widely studied in the region.