The Obermann Center is thrilled to announce that it is expanding its residential fellowship program to accept international researchers and artists. Fellowships offer dedicated space, time, and funding for scholars and artists based outside of the United States to develop collaborations and pursue independent work at the University of Iowa. Up to eight international fellowships will be granted every academic year, and fellows will receive a $2,000 stipend, office space at the Obermann Center, access to University of Iowa libraries, and other benefits.

On September 26, 2024, International Programs hosted a webinar focused on international faculty success in international scholarship and creative work as a part of the Cultivating Success: A Global Faculty Initiative series. Obermann Center director Luis Martín-Estudillo joined a distinguished panel of UI faculty experts to offer valuable insights into navigating the complexities of academia as an international faculty member at Iowa.

This October, the Obermann Center is thrilled to present the inaugural event in our new annual public conversation series, Counterpoint. These events will highlight a University of Iowa scholar with a long career of making critical contributions to their field, placing them in dialogue across the disciplines with another scholar from a different yet complementary field. 

Three months ago, I stepped into the Obermann Center’s library for the first time. My task was simple, if sizeable: I needed to organize the ~600 volumes in the collection by the end of the summer. As a student in Iowa’s School of Library & Information Science, I was excited for my first solo library project. I’ve been interested in academic librarianship, scholarly communications, and research support for a long time. However, I knew I would have to approach the work strategically and manage my time well in order to succeed. Our goal was to transform the library into a showcase for the works of Obermann scholars. But we also own many books that are unrelated to Obermann, and all of our books were intermingled without regard for subject, date, or author. After about thirty minutes of pacing up and down the library on my first day, I decided I was going to take every book off the shelf.

During their Obermann Interdisciplinary Research Grant (IDRG) in summer 2024, screenwriter Dean Bakopoulos (Cinematic Arts) and drama scholar Jennifer Buckley (English & Theatre Arts) wrote the pilot for a new historical TV miniseries: Anton & Olga. The show, which Bakopoulos and Buckley plan to pitch to producers early next year, follows revolutionary playwright Anton Chekhov, actress Olga Knipper, and their colleagues at the newly-established Moscow Arts Theater (MAT) through personal, political, and artistic upheaval at the end of the nineteenth century. By exploring the creative clashes and collaborations that fueled Chekhov and the MAT, Bakopoulos and Buckley aim to reintroduce modern audiences to an important part of theatrical history. “So many of our ideas of what counts as ‘good acting’ come from them [the MAT],” explains Buckley, “especially from their co-founder, Konstantin Stanislavski, whose ‘system’ still gets taught today in acting programs. Our demands for nuance, subtlety, and emotional truth are all founded on their work.”