Upcoming Events & Deadlines

Application Deadline: Small Important Project Grants promotional image

Application Deadline: Small Important Project Grants

Thursday, April 1, 2027 5:00pm
111 Church Street

This new Obermann Center program offers modest yet swift support for those portions of research and creative endeavors by UI scholars that are important toward advancing a project but do not have enough funding from other sources. We will grant 10 awards of $500 or less per academic year. Note that funds need to be spent by June 30 of each year.

Eligibility: Open to all University of Iowa faculty and staff researchers who have not received a SIP award in the past academic year.

Application...

Application Deadline: Obermann Working Groups (2027–30) promotional image

Application Deadline: Obermann Working Groups (2027–30)

Wednesday, April 7, 2027 5:00pm
111 Church Street

Obermann Center Working Groups provide space, structure, and discretionary funding for groups led by faculty that may include advanced graduate students, staff members, and community members with a shared intellectual interest.

Groups have used this opportunity to share their work in progress or draw up a set of readings they want to undertake and discuss. Others have organized conferences, applied for grants together, written articles together, designed new courses, taken field trips, organized...

Application Deadline: Book Ends Book Completion Workshop promotional image

Application Deadline: Book Ends Book Completion Workshop

Thursday, May 31, 2029 (all day)
111 Church Street

Books Ends—Obermann Book Completion Workshop supports University of Iowa faculty from disciplines in which publishing a monograph is required for tenure and promotion. The award is designed to assist faculty members turn promising manuscripts into important, field-changing, published books.

Applications are accepted on a rolling basis.

View more events

Spacer

News

Black Curators' Roundtable Examines Changing Practices

This Friday's Black Curators' Roundtable is a first chance to hear some of the issues that will be central to the 2019–20 Obermann Humanities Symposium, What Can Museums Become? Led by trans poet, artist, curator, and UI alumnus Anaïs Duplan (pictured above), the event gathers three others curators to discuss their practices and trends. Facilitated by Duplan, founding curator for the Center...
Christie Vogler

First Humanities 3-Minute Thesis Winner Crowned

Making a case for the presence of a female medical practitioner working out of a villa in Sicily, circa 1-3 A.D., anthropology PhD candidate Christie Vogler wowed the judges and the crowd at the first-ever Humanities 3MT competition on September 27. The Obermann Center hosted the event to celebrate and share the work of the UI's humanities graduate students, and to give them a chance to practice...

A Clown Walks Into the Matrix...

Or how one group is searching for the holy grail of live entertainment Paul Kalina is wearing a suit that has three kinds of technology embedded in it. He is a clown who has performed bedside for kids in hospitals and on the barest of stages. But in June 2019 he is in Prague for the world’s largest festival of theater and stage design, the PQ—or Prague Quadrennial. He is going on stage...

Why You – Yes, YOU Who Is Only Partway into a Dissertation and Who Doesn’t Have Time – Need to Do the Humanities 3MT!

There was one humanities finalist in last year’s University of Iowa 3MT competition--Miriam Janechek. She was in the midst of writing her English literature dissertation about 19th-century Victorian children’s literature and religion, while simultaneously caring for a baby and a toddler and living in St. Paul, MN. It would have been easy for her to view the competition, in which participants...

Executive Directors of MLA, AHA to Participate in Humanities Career Diversity Symposium

On September 13 and 14, 2019, Paula Krebs and Jim Grossman—executive directors of the Modern Language Association and American Historical Association, respectively—will join other national leaders of engaged graduate education for a UI-led symposium on public scholarship, experiential learning, and humanities graduate education. University of Iowa PhD students who participated in this summer's...

Recent Events

Pride Week: Trans Day of Visibility promotional image

Pride Week: Trans Day of Visibility

Friday, March 31, 2023 12:00pm to 5:00pm
Iowa Memorial Union (IMU)

Join us in the Pride Lounge (Iowa Memorial Union Room 209) from noon to 5 p.m. to spend time with community, honoring this important day. Follow our Instagram (@uiowapridehouse) for further TDOV engagement!

Frequências: Interventions by Tatiana Carvalho Costa, Michael B. Gillespie, and Cris Lira promotional image

Frequências: Interventions by Tatiana Carvalho Costa, Michael B. Gillespie, and Cris Lira

Friday, March 31, 2023 10:30am to 11:45am
Stanley Museum of Art

This event is part of the 2023 Obermann Humanities Symposium, Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora.

Tatiana Carvalho Costa is a curator and teacher. She is a doctoral student at the Federal University of Minas Gerais where she researches Afro-Brazilian epistemologies and Black Brazilian Cinema, in particular the recent production of short films. She works as programmer and juror of festivals and recently joined the curatorial team of the Mostra de Cinema de...

Crosscurrents in Time: A Video Trilogy by Aline Motta (Exhibition) promotional image

Crosscurrents in Time: A Video Trilogy by Aline Motta (Exhibition)

Friday, March 31, 10:00am to Monday, July 31, 2023 4:30pm
Stanley Museum of Art

This multi-channel installation of three related videos will be on view in the Lauridsen Family Gallery at the Stanley Museum of Art. Aline Motta is a participant in Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora, an Oberman Humanities Symposium & International Programs Major Project Award, held at the University of Iowa March 30 - April 1, 2023.

Among the Atlantic waters that connect Brazil, Portugal, Sierra Leone, and Nigeria, contemporary artist Aline Motta engages with...

Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora — 2022-23 Obermann Humanities Symposium & IP Major Projects Award promotional image

Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora — 2022-23 Obermann Humanities Symposium & IP Major Projects Award

Friday, March 31 to Saturday, April 1, 2023 (all day)

2022-23 UI Obermann Humanities Symposium & International Programs Major Projects Award: Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora

From March 30 to April 1, "Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora" will feature filmmakers, translators, and film scholars from the Afro-Brazilian diaspora. Organized by Christopher Harris (Cinematic Arts) with partnership from Cristiane Lira (University of Georgia) and Brazilian filmmaker Janaína Oliveira, the...

Verdi's Falstaff and Shakespeare's: An introduction to the Metropolitan Opera performance. Lecture by Miriam Gilbert promotional image

Verdi's Falstaff and Shakespeare's: An introduction to the Metropolitan Opera performance. Lecture by Miriam Gilbert

Thursday, March 30, 2023 5:30pm to 6:30pm
University Capitol Centre

Prof. Miriam Gilbert will explore the relationship between Verdi's opera and its Shakespearean sources.

Free and open to the public. The talk will also be available on zoom: https://uiowa.zoom.us/j/9153651333

Sponsored by the Opera Studies Forum and the Obermann Center.

Frequências Humanities Symposium & IP Major Projects Award: Screenings of República and Dazed Flesh promotional image

Frequências Humanities Symposium & IP Major Projects Award: Screenings of República and Dazed Flesh

Thursday, March 30, 2023 4:15pm to 5:45pm
FilmScene (Chauncey)

This event is part of the 2023 UI Obermann Humanities Symposium & International Programs Major Projects Award: Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora.

Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora brings together filmmakers, artists, scholars, and critics from across the globe in order to inaugurate a practice of collective attunement. How can we best attune ourselves to the waves set in motion by this new cinema? How does Brazil’s current...