Upcoming Events & Deadlines

Application Deadline: Small Important Project Grants promotional image

Application Deadline: Small Important Project Grants

Thursday, April 1, 2027 5:00pm
111 Church Street

This new Obermann Center program offers modest yet swift support for those portions of research and creative endeavors by UI scholars that are important toward advancing a project but do not have enough funding from other sources. We will grant 10 awards of $500 or less per academic year. Note that funds need to be spent by June 30 of each year.

Eligibility: Open to all University of Iowa faculty and staff researchers who have not received a SIP award in the past academic year.

Application...

Application Deadline: Obermann Working Groups (2027–30) promotional image

Application Deadline: Obermann Working Groups (2027–30)

Wednesday, April 7, 2027 5:00pm
111 Church Street

Obermann Center Working Groups provide space, structure, and discretionary funding for groups led by faculty that may include advanced graduate students, staff members, and community members with a shared intellectual interest.

Groups have used this opportunity to share their work in progress or draw up a set of readings they want to undertake and discuss. Others have organized conferences, applied for grants together, written articles together, designed new courses, taken field trips, organized...

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News

Teresa at OCAS sign

Building a World of Possibility

In 2010, Professor Teresa Mangum picked up a paintbrush alongside administrator and compatriot Neda Hatami. The two began transforming the Tudor-style house at 111 Church Street into what is now the University of Iowa’s Obermann Center for Advanced Studies. It wasn’t just a fresh coat of paint. From the start of her fourteen-year tenure as director of the Obermann Center—which falls under the auspices of the Office of the Vice President of Research and is located across from the UI President’s residence—Teresa has been building a legacy. “My favorite thing is watching how people enter the space,” she remarks, speaking about the Center with a mixture of Midwestern lucidity and Southern warmth. “People walk in and you can see them thinking, This is what I thought it would be like to be at a university. The image of people’s faces when they walk in is one of my guiding lights. How do we keep the hope for an intellectual life alive?”
Luis Martin-Estudillo

Martín-Estudillo named new director of Obermann Center for Advanced Studies

Luis Martín-Estudillo, professor and collegiate scholar in the Department of Spanish and Portuguese in the College of Liberal Arts and Sciences, will serve as the next director of the Obermann Center for Advanced Studies (OCAS). His appointment will begin July 1. “We are very excited that Professor Martín-Estudillo has agreed to lead the Obermann Center for Advanced Studies into its next chapter,” said Kristy Nabhan-Warren, associate vice president for research. “He brings a wealth of international connections, fresh ideas, and a proven track record of collaboration across units and disciplines here at Iowa and beyond. The search committee was deeply impressed with his vision for the center, and the campus feedback we solicited confirmed and amplified our excitement for new possibilities for OCAS.” For more than four decades, the OCAS has served as an interdisciplinary hub for artists, scholars, and researchers who bridge campus with the larger world.
Lightbulb with plant growing in soil inside it

Obermann Center Hosts Spring 2024 Environmental Series

This spring, the Obermann Center for Advanced Studies hosts the Interdisciplinary, Experiential Environmental Education and Research series, which invites campus artists, humanities scholars, and researchers in the sciences and social sciences to imagine the many ways that our campus and connected spaces might serve as a living laboratory for environmental research. The series, co-sponsored by the Office of the Vice President for Research, includes visits from facilities and research leaders at other campuses who have developed transformative, place-based research collaborations that include students, staff, and faculty. Kathleen Socolofsky, Assistant Vice Chancellor and Director of the UC Davis Arboretum and Public Garden, will present "The UCD Arboretum and Public Garden as Interdisciplinary, Learning Laboratory—Connecting the Campus and Community Through Experiential Teaching, Learning, and Research on and in the Environment" on Friday, April 5, alongside Bethany Wiggin, professor and Founding Director of the Program in Environmental Humanities and the My Climate Story and Ecotopian Toolkit projects at the University of Pennsylvania, who will present ""Humanists at Work in the World: Campus-Community Partnerships for Environmental Justice."
Damani Phillips

Read and Blew Notes

In November 2023, Damani Phillips (School of Music and African American Studies, CLAS) and spoken-word artist Brandon Alexander Williams released the world's first "listening book," Read and Blew Notes. A new medium intended to replace physical music products like CDs and download cards, the "L.B." brings back the ritual experience of listening to new music with a physical product in hand. The book includes album liner notes, full musical scores, and interviews with artists on how their music came into being. The Obermann Center was proud to support the project through co-sponsorship funding.
photo of Everard Hall eating lunch in a cemetery (photo credit: Dessert, 2015, Thalassa Raasch)

Witnessing the Gravedigger

Who’s your local gravedigger? Do you have one? The residents of Cherryfield, Maine, do—and it’s not the dirty, shadow-clad figure you’re picturing. It’s local resident Everard Hall, smiling and ball-capped in a plaid work shirt. There’s a harmonica in his pocket and dancing boots in his pickup. Everard (pronounced “EVer-ard”) is one of the few remaining gravediggers in the U.S. who dig by hand—and he does it year-round across northeastern Maine. Using picks, shovels, chains, and winches to haul out rocks, ice, hardpan, roots, clay, and sand, he insists on doing the job with care and precision. It’s not surprising that UI photography professor Thalassa Raasch feels the exact same way about documenting Everard’s work. Her in-progress collection of photos and essays, In Over My Head, documents the unexpected beauty of Everard’s work as a gravedigger and explores the profound thresholds between solitude and community, life and death.
Solange Saxby, Pamela Mulder, Christine Gill standing outside of the UI Obermann Center

Promoting Breastfeeding in Women with MS

It’s tough to be a new mother, whoever you are, whatever your income, wherever you live. But for women with chronic health conditions, it’s exceptionally difficult. Even breastfeeding can feel like an insurmountable task, full of uncertainties about the transmission of medications in breastmilk and the physical demands of holding an infant for long periods of time.   This past summer, an Obermann Interdisciplinary Research Grant team, aided by Spelman Rockefeller funding, began studying breastfeeding in women with multiple sclerosis (MS), a chronic disease of the brain and spinal cord. “There’s a huge gap of knowledge in regards to breastfeeding for women with MS,” say the grant project’s co-directors Christine Gill (Clinical Assistant Professor, Neurology), Pamela Mulder (Clinical Assistant Professor, Nursing), and Solange Saxby (Postdoctoral Research Scholar, Internal Medicine)—largely because pregnant and lactating women tend not to volunteer for research trials. It’s a serious oversight, since MS is three times more common in women than in men and is more frequently diagnosed in women of childbearing age (between 20 and 40) than in any other group. Symptoms vary among patients but commonly include fatigue, muscle weakness, tingling, numbness, vertigo, and walking difficulties due to nerve fiber damage.

Recent Events

Frequências: Interventions by Janaína Oliveira, Yasmina Price, and Cauleen Smith promotional image

Frequências: Interventions by Janaína Oliveira, Yasmina Price, and Cauleen Smith

Saturday, April 1, 2023 1:00pm to 2:15pm
FilmScene (Chauncey)

This event is part of the 2023 Obermann Humanities Symposium, Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora.

Janaína Oliveira will present "Frequencies of Kalunga." 
Kalunga: a concept originating from Bantu cultures with multiple meanings. For some, the line that marks the limits between the worlds of the living and the ancestors, the line of the horizon and of saudade (longing), which divides but also aggregates. It can also be a portal or the core of the vital energy...

Frequências Screening: Director’s Choice programmed by Christopher Harris promotional image

Frequências Screening: Director’s Choice programmed by Christopher Harris

Saturday, April 1, 2023 10:15am to 12:00pm
FilmScene (Chauncey)

This event is part of the 2023 Obermann Humanities Symposium, Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora.

Christopher Harris makes films and video installations that read African American historiography through the poetics and aesthetics of experimental cinema. His work employs manually and photo-chemically altered appropriated moving images, staged re-enactments of archival artifacts and interrogations of documentary conventions. His current project is a series of...

Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora — 2022-23 Obermann Humanities Symposium & IP Major Projects Award promotional image

Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora — 2022-23 Obermann Humanities Symposium & IP Major Projects Award

Saturday, April 1, 2023 (all day)

2022-23 UI Obermann Humanities Symposium & International Programs Major Projects Award: Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora

From March 30 to April 1, "Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora" will feature filmmakers, translators, and film scholars from the Afro-Brazilian diaspora. Organized by Christopher Harris (Cinematic Arts) with partnership from Cristiane Lira (University of Georgia) and Brazilian filmmaker Janaína Oliveira, the...

Frequências Humanities Symposium & IP Major Projects Award: "Black Utopia LP" Performance by Cauleen Smith promotional image

Frequências Humanities Symposium & IP Major Projects Award: "Black Utopia LP" Performance by Cauleen Smith

Friday, March 31, 2023 4:30pm to 6:30pm
Becker Communication Studies Building

This event is part of the 2023 UI Obermann Humanities Symposium & International Programs Major Projects Award: Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora.

Please note that this event has been moved from the Stanley Art Museum to 101 BCSB.

Join us for Cauleen Smith's captivating audio-visual performance, Black Utopia LP. Combining 35mm slide projection with the artist's vinyl LP, this 90-minute "film without film" offers a unique cinematic experience. Emerging from...

Frequências: Interventions by Miryam Charles and Aline Motta promotional image

Frequências: Interventions by Miryam Charles and Aline Motta

Friday, March 31, 2023 3:00pm to 4:15pm
Becker Communication Studies Building

This event is part of the 2023 Obermann Humanities Symposium, Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora.

Please note that this event has been moved from the Stanley Art Museum to 101 BCSB.

With her artistic practice, Aline Motta (b. 1974, Niterói, Brazil) seeks to point out and fill in the gaps in her own family history as a result of colonial erasure. Her videos, photographs, installations, and performances are based on speculative studies that mix archival...

Frequências Humanities Symposium & IP Major Projects Award: Artist Talk by Aline Motta — "Bridges over the Abyss" promotional image

Frequências Humanities Symposium & IP Major Projects Award: Artist Talk by Aline Motta — "Bridges over the Abyss"

Friday, March 31, 2023 1:15pm to 2:45pm
Stanley Museum of Art

This event is part of the 2023 UI Obermann Humanities Symposium & International Programs Major Projects Award:. Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora.

Following the opening of Brazilian visual artist Aline Motta’s exhibition at the Stanley Museum, the artist Aline Motta and Brazilian curator and scholar Tatiana Carvalho Costa will share their thoughts on the works exhibited and discuss the uses of speculative fiction and archive to piece together a possible family...