Taking Brazil’s new Black cinema as its point of departure, Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora will feature the emerging wave of young Afro-Brazilian filmmakers, curators, programmers, and scholars whose art and scholarship have already had an impact on international cinema. Organized by Christopher Harris, Janaína Oliveira, and Cristiane Lira, this 2022-23 Obermann Humanities Symposium and International Programs Major Projects Award takes place March 30 – April 1, 2023, in Iowa City. Below is a discussion with Harris, Oliveira, and Lira.

Taking Brazil’s new Black cinema as its point of departure, Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora brings together filmmakers, artists, scholars, and critics from across the globe to explore new ways of thinking about the Black diaspora. This 2022-23 Obermann Humanities Symposium and International Programs Major Projects Award takes place March 30 – April 1, 2023, in Iowa City. Organized by Christopher Harris, F. Wendell Miller associate professor of cinematic arts at the University of Iowa; Janaína Oliveira, curator and researcher at the Federal Instituto of Rio de Janeiro; and Cristiane Lira, supervisor of Portuguese at the University of Georgia, the symposium will feature the emerging wave of young Afro-Brazilian filmmakers, curators, programmers, and scholars whose art and scholarship have already had an impact on international cinema.

Back when we all traveled regularly to conferences, we did so to share research, to learn from colleagues, and to form new relationships, even friendships, rooted in shared intellectual interests. Conferences help graduate students build skills—capturing complex arguments in short presentations, public speaking, asking helpful rather than grandstanding questions, connecting with fellow experts, and more. In other words, conferences are for networking.

This year, we're thrilled to be working with undergraduate communications assistant Willie Zheng. A pharmacy major, Willie is a freshman from Marion, Iowa. His work at Obermann ranges from calendaring to social media strategizing. We're so glad to have found him! What inspired you to choose pharmacy as both your major and career path? WZ: I think the foundational inspiration that led me to decide pharmacy as my major was COVID. I was really inspired by the way our medical researchers and our pharmacists became a critical step in getting the pandemic under control, getting our kids, including myself, back in school, and getting people back to work. In addition, throughout my life, I have always wanted to have a career within the healthcare industry, as well as working and serving local communities like my hometown. Pharmacy is a great example of a healthcare career that serves communities across the nation in providing life-saving medications for all.

You walk into a space for a performance—not a theater, per se, but a gym or a ballroom—and find two rows of chairs with an aisle down the middle. Up front, a long table is set with name tags, microphones, and a folder in front of each space. Cameras are trained on the table, and large monitors on either side of the room broadcast what they capture along with captions. A microphone is positioned toward the front of what could be called the audience side of the room, while an American flag is posted behind the table. This is the set of City Council Meeting, a performance that occurred in five U.S. cities (Houston, San Francisco, New York City, Keene, and Tempe) in the mid-aughts. It is the focus of a new book, The City We Make Together: City Council Meeting’s Primer for Participation in the Humanities and Public Life series, a collaboration between the Obermann Center and the University of Iowa Press. Written by two of the core theater makers behind the piece, Mallory Catlett and Aaron Landsman, the book also serves as a prelude and additional tool for a curriculum that is being created as an extension of the production.

During the past several years, nearly a hundred faculty, staff, and graduate students have been part of the transformational work of the Mellon Foundation-funded Humanities for the Public Good (HPG). Together, we developed an appreciation for the value of incremental changes. Through a series of HPG course mini-grants, we invited faculty to find discipline-appropriate ways to integrate HPG values and practices, asking each awardee: How can we prepare students to use humanistic methods and mindsets and a commitment to social justice to position themselves for success in diverse careers?” Many faculty members who took advantage of the mini-grants were rethinking introduction to graduate studies courses in their departments.