Upcoming Events

Targeting the Psychological Roots, Not Branches, of Vaccine Confidence promotional image

Targeting the Psychological Roots, Not Branches, of Vaccine Confidence

Friday, April 10, 2026 3:00pm to 3:45pm
Biology Building East
Aaron Scherer examines the psychological roots of vaccine confidence and how to communicate more effectively about science.
The DTP Vaccine and Narratives of Injury promotional image

The DTP Vaccine and Narratives of Injury

Friday, April 10, 2026 3:45pm to 4:30pm
Biology Building East
Tara Smith explores the history of the DTP vaccine and the narratives that shape public perception of vaccine injury.
Global Vaccines in a Time of Climate Change, Megacities, and Antiscience promotional image

Global Vaccines in a Time of Climate Change, Megacities, and Antiscience

Friday, April 10, 2026 4:30pm to 5:15pm
Biology Building East
Peter Hotez addresses the global challenges facing vaccination efforts, including climate change, urbanization, and organized antiscience movements.
Iowa City International Documentary Film Festival promotional image

Iowa City International Documentary Film Festival

Thursday, April 23 to Sunday, April 26, 2026 (all day)
Adler Journalism and Mass Communication Building
The Iowa City International Film Festival is a student-run experimental film festival hosted in Iowa City.
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Upcoming Application Deadlines

Upcoming Application Deadlines

Application Deadline: Small Important Project Grants promotional image

Application Deadline: Small Important Project Grants

Friday, May 8, 2026 5:00pm
111 Church Street

This new Obermann Center program offers modest yet swift support for those portions of research and creative endeavors by UI scholars that are important toward advancing a project but do not have enough funding from other sources. We will grant ten awards of $500 or less per academic year. Note that funds need to be spent by June 30 of each year.

Eligibility: Open to all University of Iowa faculty and staff researchers

Graduate students: Note that the Graduate College offers Small Grants for the...

News

Pervin's talk at IWP

The Texture of Memory: Pervin Saket's Project to Preserve Parsi Heritage

Imagine a small boat on large, dark sea. Imagine families of refugees, with small children and smaller bundles of belongings. Imagine them braving storms and starvation and shipwreck. It sounds like something from yesterday’s news report, but this historical exodus took place between the 8th and 11th centuries CE, when Arab Muslims conquered the once-expansive Persian Zoroastrian empire. Faced with religious persecution, groups of Zoroastrians escaped in boats and landed on the shores of Gujarat in India. Pervin Saket’s project as an Obermann International Fellow focuses on this community, her community, in modern-day India. Zoroastrianism, the world’s oldest monotheistic religion, is now practiced by only a handful of people, and that too is threatened by extinction. Saket says, “In the version I learned on my grandmother’s lap, the Parsis (literally “people of Pars or Persia”) were taken to the local king when they washed up on the shores of Gujarat. Suspicious of the foreigners, he showed them a bowl of milk filled to the brim, to indicate his land was full. The Parsi leader responded by sprinkling a few grains of sugar on the milk. I suspect that the king had a fondness for good metaphors."
Katy Schroeder and black horse

Allies in Healing: Katy Schroeder and the Human-Animal Interactions for Wellbeing Collaborative

The first time Katy Schroeder truly understood the positive impact of connecting people with animals in therapy, she wasn’t sitting in a lab or behind a desk. She was standing beside a horse. “I realized how passionate I was about integrating human-horse interactions into mental health treatment,” she recalls. “It was such a powerful realization.” At the time, Schroeder was living in Bend, Oregon, and pursuing her master’s degree in clinical mental health counseling. The idea of incorporating animals into therapy wasn’t new — but it also wasn’t widely studied or regulated. Still, something about it clicked. It lit a path she hadn’t seen before. “I caught the research bug,” she says. Encouraged by a mentor, Schroeder stayed on to earn her doctorate at Oregon State University, where she discovered her second calling: teaching. “That’s really when everything started to come together for me.” That clarity eventually led her to the University of Iowa, where she now serves as an associate professor in the College of Education's Clinical Mental Health Counseling Program in the Department of Counselor Education. There, she’s quietly reshaping how students — and the field—understand the relationship between humans and animals in mental health care.
Patricia in with a Hawkeye shirt

From the Hank Lab to the Streets of Romania: A Conversation with Patricia Marga

In a nation confronting one of the highest rates of traffic accidents in Europe, the simple act of crossing the street is a critical public health challenge. This issue is the driving force behind the work of Patricia Marga, a PhD student in public health from Romania. She's on a mission to tackle this crisis by exploring how virtual reality can be harnessed to study and improve pedestrian safety for the most vulnerable: elderly citizens crossing busy city streets and children navigating crowded school zones. Her pursuit of research methods on injury prevention brought her to the University of Iowa this fall as an Obermann International Fellow.
Jordan teaching

A Language in Motion: Jordan Gigout and Dance Notation

How do you write down a dance? To capture the body’s expressions, scholars have long turned to Kinetography Laban, a system for recording and analyzing movement that uses abstract symbols to define the direction of movement and the parts of the body that perform it, among other parameters. But what happens when that language of symbols is itself a historical artifact, reflecting the biases of its time? Can a system built on a specific vision of the body ever truly capture the full diversity of human movement, or does it inevitably shape what it records? This is the critical and creative realm of Jordan Gigout, a dancer and dance-notation scholar from Essen, Germany. His research explores how this historical language for movement can continue to evolve and inspire new ways of thinking about choreography today. This fall, we welcomed him as an Obermann International Fellow.
Shazia Khan

Time, Care, & the Moral Self with Shazia Rehman Khan

Often, an hourly employee, bound by the routines and schedules of a workplace, finds that she is constantly thinking about being somewhere she is needed more, perhaps at home, taking care of a child or elderly relative. While many researchers have studied how this internal conflict affects the worker's professional output, few have studied how it affects her self-image or moral self-concept. This is the province of Shazia Rehman Khan, Professor of Business and Social Ethics at Pakistan's Bahria University. Her scholarship asks whether women are the primary victims of organizational time structures (as they must often balance workplace schedules with demands for care and domestic work) and, more generally, how "clock time" shapes our moral selves. Khan recently spent a month at the University of Iowa as an Obermann International Fellow furthering her research on time justice and care ethics.
Sara Jo Cohen

Inside Scholarly Publishing: A Conversation with Sara Jo Cohen

Ahead of her November residency, we asked Obermann Editor-in-Residence Sara Jo Cohen about what she hopes to accomplish during her time here, her advice on crafting strong proposals, the challenges and opportunities of open access publishing, and the exciting ways digital platforms are expanding scholarship. She also shared her own career journey from graduate study in English to university press publishing, reflected on the skills early-career scholars most need to cultivate today, and offered practical guidance for undergraduates seeking a foothold in the publishing world.

Recent Events

Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora — 2022-23 Obermann Humanities Symposium & IP Major Projects Award promotional image

Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora — 2022-23 Obermann Humanities Symposium & IP Major Projects Award

Saturday, April 1, 2023 (all day)

2022-23 UI Obermann Humanities Symposium & International Programs Major Projects Award: Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora

From March 30 to April 1, "Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora" will feature filmmakers, translators, and film scholars from the Afro-Brazilian diaspora. Organized by Christopher Harris (Cinematic Arts) with partnership from Cristiane Lira (University of Georgia) and Brazilian filmmaker Janaína Oliveira, the...

Frequências Humanities Symposium & IP Major Projects Award: "Black Utopia LP" Performance by Cauleen Smith promotional image

Frequências Humanities Symposium & IP Major Projects Award: "Black Utopia LP" Performance by Cauleen Smith

Friday, March 31, 2023 4:30pm to 6:30pm
Becker Communication Studies Building

This event is part of the 2023 UI Obermann Humanities Symposium & International Programs Major Projects Award: Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora.

Please note that this event has been moved from the Stanley Art Museum to 101 BCSB.

Join us for Cauleen Smith's captivating audio-visual performance, Black Utopia LP. Combining 35mm slide projection with the artist's vinyl LP, this 90-minute "film without film" offers a unique cinematic experience. Emerging from...

Frequências: Interventions by Miryam Charles and Aline Motta promotional image

Frequências: Interventions by Miryam Charles and Aline Motta

Friday, March 31, 2023 3:00pm to 4:15pm
Becker Communication Studies Building

This event is part of the 2023 Obermann Humanities Symposium, Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora.

Please note that this event has been moved from the Stanley Art Museum to 101 BCSB.

With her artistic practice, Aline Motta (b. 1974, Niterói, Brazil) seeks to point out and fill in the gaps in her own family history as a result of colonial erasure. Her videos, photographs, installations, and performances are based on speculative studies that mix archival...

Frequências Humanities Symposium & IP Major Projects Award: Artist Talk by Aline Motta — "Bridges over the Abyss" promotional image

Frequências Humanities Symposium & IP Major Projects Award: Artist Talk by Aline Motta — "Bridges over the Abyss"

Friday, March 31, 2023 1:15pm to 2:45pm
Stanley Museum of Art

This event is part of the 2023 UI Obermann Humanities Symposium & International Programs Major Projects Award:. Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora.

Following the opening of Brazilian visual artist Aline Motta’s exhibition at the Stanley Museum, the artist Aline Motta and Brazilian curator and scholar Tatiana Carvalho Costa will share their thoughts on the works exhibited and discuss the uses of speculative fiction and archive to piece together a possible family...

Pride Week: Trans Day of Visibility promotional image

Pride Week: Trans Day of Visibility

Friday, March 31, 2023 12:00pm to 5:00pm
Iowa Memorial Union (IMU)

Join us in the Pride Lounge (Iowa Memorial Union Room 209) from noon to 5 p.m. to spend time with community, honoring this important day. Follow our Instagram (@uiowapridehouse) for further TDOV engagement!

Frequências: Interventions by Tatiana Carvalho Costa, Michael B. Gillespie, and Cris Lira promotional image

Frequências: Interventions by Tatiana Carvalho Costa, Michael B. Gillespie, and Cris Lira

Friday, March 31, 2023 10:30am to 11:45am
Stanley Museum of Art

This event is part of the 2023 Obermann Humanities Symposium, Frequências: Contemporary Afro-Brazilian Cinema & the Black Diaspora.

Tatiana Carvalho Costa is a curator and teacher. She is a doctoral student at the Federal University of Minas Gerais where she researches Afro-Brazilian epistemologies and Black Brazilian Cinema, in particular the recent production of short films. She works as programmer and juror of festivals and recently joined the curatorial team of the Mostra de Cinema de...