Designing the Digital Future – A Symposium Summary To many, informatics means big data. But as the 2014 Obermann Working Symposium, “Designing the Digital Future: A Human-Centered Approach to Informatics,” November 7-8, 2014, demonstrated, informatics technology intersects with narrative, the arts, collaborative learning, dance, diversity, narrative, social justice movements, values sensitive...

The following students have been selected for the 2015 Obermann Graduate Institute. As Obermann Graduate Fellows, they will participate in a one-week intensive institute exploring how to combine public engagement with their research and teaching. The Institute, now in its ninth year, is co-directed by Barbara Eckstein (English, CLAS) and Craig Just (Civil and Environmental Engineering), with...

The word “informatics” summons the 1999 film “The Matrix” — a terrifying world of streaming numbers (and Keanu Reeves). In the real world, patterns in a sea of data can become life rafts, for example, to individuals suffering from disease or activists tracking pollution. Designing ways for humans to interact effectively with computers and information is the goal of researchers in the growing area of computer science sometimes called human-computer interaction or HCI.

Search “informatics” on Wikipedia and you’ll get a hint of the very wide swath that this relatively new field has already cut: bioinformatics, irrigation informatics, legal informatics, music informatics, cheminformatics, and disease informatics are just a few of its subfields. An idea that has been around for barely a half century...

Moving the Middle — Reflections on Imagining America’s national conference by Heather Draxl: The theme of this year’s Imagining America conference, held in Atlanta, Georgia, was “Organizing. Culture. Change.” Those three words were intended to “represent concentrations of energy and activity across higher education and within the IA consortium” and played a role in one of the conference’s primary...

Masks give us permission to explore new ideas or to more bravely enact ways of being that we don’t usually give ourselves permission to pursue. They invite playfulness, humor, parody, and even a bit of mischief. Think Halloween costumes and masquerade balls. All of the qualities that masks allow and invite also make them a clever tool for exploring social issues, which is the aim of a new UI...

In January 1986, just days before the nation and the University of Iowa were scheduled to celebrate Martin Luther King Day as a national holiday for the first time, the Obermann Center was asked if we could “put together something” as part of the University’s observance. I was panicked, but then remembered that Bruce Gronbeck, a new guy at the Obermann Center, had been talking at...

Conversation Begins at Obermann Graduate Institute: Kathrina Litchfield, recent SLIS grad and a current PhD candidate in Language, Literacy, and Culture (College of Education) and Gemma Goodale-Sussen (English, CLAS) met for the first time last January as Fellows of the Obermann Graduate Institute on Engagement and the Academy. As they shared their respective public engagement projects, each woman...

The role of art in society has long been debated. If an artist works in a university and in combination with community partners, that definition becomes murkier yet.As part of the Obermann Center’s Summer Seminar, “Problem Solving Social Practice in Art,” a group of scholars, community organizers, and artists cast a wide net on the idea of “social practice in art,” examining and exposing gaps in...

Andrew W. Mellon–funded Grand Challenge — The Global Midwest As we announced last year, the Obermann Center is one of 15 centers in the $3,000,000 Mellon-funded Humanities Without Walls Consortium headed by Professor Dianne Harris of the University of Illinois Program for Research in the Humanities. Applications are welcome from faculty at two or more consortial universities whose scholarship...